Personal Dates
| Nationality | German |
| Place of Birth | Karlsruhe |
| Playing Age: | 25-32 |
| Height: | 5"3 |
| Language | German (native), English (fluent) |
| Dialect | british, american, german |
| Dance: | Tap Dance (basic) |
| Hair | red-blond |
| Eyes: | blue/green |
| Size | 36/38 |
| Residence: | Vienna, Berlin |
| Drivers Licence: | B |
| Special Skills: |
Archery (basic), Yoga (basic), Guitar (basic), Stage Combat (basic), Stick Combat (basic) |
Education & Training
|
2021 |
Paritätische Bühnenreife Vienna BA Acting |
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03/2020 - on going |
Susan Batson Studio NYC by Susan Batson & Carl Ford |
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11/2018 - 2020 |
"Meisner Technique" Steven Ditmyer Meisner International Vienna |
| 2013-2016 |
Junge Akademie Stuttgart Acting Degree |
| 2015 – 2016 |
Music Academy Stuttgart Singing Lessons |
| 01/2013-07/2013 |
GospelArt Kolleg 7 month acting intensiv course |
| 07/2012-12/2012 |
Künstlerbühne Karlsruhe Singing & Acting Lessons |
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2009-2012 |
European Theological Seminary Theology Studies |
Camera
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2021 |
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Love Machine 2 (IMDb) |
Production: Allegrofilm | Director: Andreas Schmied | |
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2020 |
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Radice |
Production: LaGuarimba Filmfestival |
Director: Maria Martire | Role: Anna |
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Commercial "Swarco" |
Production: Goldbachfilm |
Director: Tristan Schneider | |
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2019 |
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Geschwister |
Production: OTMA Collective Vienna | Director: Marcel Klien | Role: Emma |
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Palazzo Nostalgia |
Production: Phi Arts Vienna | Director: Deni Sogaev | Role: Anna |
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Devious Love |
Production: OTMA Collective Vienna | Director: Stella Hofstadler | Role: Philippa Marlowe |
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2017 |
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White Pillow (IMDb) |
Production: Journey Pictures | Director: Toby Oliver | Role: Melissa Grellmann |
Theatre
| 2019 | ||||
| "Nils Holgersson" nach Selma Lagerlöf | Director: Claudia Bühlmann | Theater Akzent Wien |
Role: Yksi, Daunenfein, Eule, Bär, Bauernfrau |
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2018 |
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"Kalle Blomquist" nach Astrid Lindgren |
Director: Christiane Wolff |
Theatersommer Ludwigsburg |
Role: Eva Lotta Lysander |
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2016 |
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"Wortkunst" |
Director: Anna Baum |
Kunstverein Fellbach |
Role: Ursula, Mamma Hexe, Kräh Fin |
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„Die Liebenden in der Untergrundbahn“ von Jean Tardieu |
Director: Jürgen M. Brandtner |
Junge Akademie Stuttgart |
Role: Sie |
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2014 |
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„Miss Parmel, Forlock Hones und das Geheimnis des Erzählers“ von Leonie Bredel |
Director: Leonie Bredel | Live Act Academy |
Role: Täter |
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2013 |
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„Das größte Glück“ von Mirjana Angeline |
Director: Mirjana Angelina | Gospel Art München | Role: Fox | |
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„Der Tod des Nazereners“
von Mirjana Angelina |
Director: Mirjana Angelina | Gospel Art München | Role: Bewegungschor |
Others
2020- on going Lectures Host & Reader
2018 Theatersommer Ludwigsburg Directors Assistant
2019 Showtime Drama Teacher
Viennas English Theatre
2015-2018 Stage Academy Drama Teacher
(Stuttgart & Heidelberg)